Life with Fuji – Part 2

Life with Fuji – Part 2

Break up. 

Since Fuji did not have a lot of lens choices, I decided to try some of the old manual Pentax lenses I had.  Did some research, found the adapters, and went to town.  The problem became apparent quite quickly.  There was no visual indication when things were in focus.  Bugger!  More research lead to the discovery of the Sony NEX-7 camera.  Even though it did not have a lens line up, it had focus peaking, plus a whole lot of other features, bigger sensor, 10fps, etc etc.  I got the Sony.  I actually shot one wedding just with Fuji and Sony.  It was a great experience.  I was able to freely move around, with out bumping into people with my big cameras.  The only draw back to this strategy is that people didn’t recognize I was there as a paid photographer, and thought I was just another guy with a point and shoot camera, so they constantly got in the way.  At one point I was setup to photograph the cake cutting moment, and another guest purposefully wiggled her bottom right in front of me so she can take the shot with her iPhone.  I think I was a little rude telling her to move her behind out of my way.  She didn’t budge.  

But, lets get to the break up.  What can I say, Sony impressed me, with it’s flippy screen, higher magepixels and lovely focus peaking.  I started to use it more and more.  Even though the Sony lens line up for the NEX line was, and still is, quite abysmal, I was happy to use old manual lenses.  On the plus side Sony did have their wide angle zoom 10-18 f4, which is, to be honest, really great lens.  Thus Fuji sat on a shelf.  Lonely, and sad.  Upstaged by a shiny, flippy screen, bastard.  

Resurection

It’s stupid, I know, but I felt a little guilty that Fuji X-Pro1 was collecting dust.  I always liked the feel of it.  Loved the images… then came a huge update.  Finally focus peaking!  Fuji to it’s huge credit, has been slowly updating the X-Pro1 with better/faster auto focus, and few other functionality.  They also updated their lenses, making them quieter and faster.  Not a lot of companies do that.  After the big update I’ve decided to give the X-Pro1 another go.  I was happy they added focus peaking, and when I saw it my heart sunk.  It was there… sort of.  I had to look hard to see it. Very hard.  Sony was still at least 10x better.  At this time Fuji started releasing more and more great lenses for the X line, so I could slowly update from old manual lenses to actual Fujinon lenses, and the quite crappy focus peaking on the the X-Pro1 and X-E1 played a much smaller role.  

Flashing weddings and Sony wins even though it looses

This time it was mirrorless all the way.  Sony and Fuji together in perfect harmony.  Why still Sony, you may ask.  It was a simple usability problem.  To trigger an off camera flash, I was using Radio Poppers http://www.radiopopper.com/#!jrx/cgws Because of a silly design of the transmitter, I could not mount the transmitter on the Fuji.  The transmitter has a plastic knob of an antenna facing down where the hotshoe is, and the X-Pro1 flat profile on top prevented me from attaching it to Fuji.  Now because Sony NEX-7 had a stupid design of their proprietary hot shoe, I had to get a converter, which in raised the profile of the hot shoe allowing the transmitter from Radio Poppers to mount properly.   Really silly designs on both parts, even though the RadioPoppers are quite wonderful and inexpensive.  Never had any issues with them not working.  During that wedding, most shots during the day were with Fuji, and the Sony came out when flash was required.  It was a lot easier to spend the 11 hours running around with small cameras.  Did not miss my Canons at all.  

More Travels

Europe again.  As with the previous European vacation, a new camera from Fuji showed up, a few days before the departure, Fujifilm X-T1.  This is where Fuji and any of the small cameras shine.  I managed to pack 3 cameras, and 5 lenses into a Billingham Hadley Pro bag, and a small laptop to boot.  Most days I carried everything (minus the laptop) everywhere I went.  I’m not going to lie, and the bag was getting a bit uncomfortable by the end of the day, but never to a point where I was ready to throw it into the river. 

Now and the Future

I have sold my canon and most of my manual lenses.  I gave my Sony cameras to my wife.  FujiFilm is the only camera’s and lenses I shoot with primarily the X-T1, and X-E2.  The venerable X-Pro1 is used from time to time, same as the X100S, but not often.  I can’t remember of having so much fun, using a camera system.  I really like everything about it, and the short comings are quite easy to get around.  They simply work.  Some would call this fanboism, but in reality it’s not.  In large retrospect of my photography I come to a realization, that I don’t really care which camera I’m shooting with.  As long as it provides me with the results I’m looking for.  Fuji and their X cameras, provide me with those results. The ability of easy updates to the cameras and lenses, with out being forced to buy new cameras and new lenses, create trust as a consumer.  Trust, that is very hard to come by these days.  Also the way the Fujifilm pays attention to detail and workmanship.  It’s been only about 4 years since first Fujifilm X100 came on the market, and the amount of great lenses for the camera system is staggering.  Currently there are 18 lenses in production with 3 more to come, and all of these lenses are stellar.  in comparison Sony has only 8 lenses for their full frame mirrorless cameras, and it seems they abandoned their APS-C lens line all together.   This trust and quality of products is what makes me shoot with Fuji, and I do not see myself changing any time soon.  

Life with Fuji – Part 1

Life with Fuji – Part 1

Beginnings

I started with Fuji at the onset, about 4 years ago.  I got my first Fuji X, the Fuji X100 and I really fell in loved that camera.  The looks, the way it worked, the hybrid view finder. Even the little quirks.  I shot one of my boudoir sessions with it.  I remember the client asking if I was going to take any pictures, the camera was so quiet that she didn’t even notice.  Lots of great memories. 

First Travel

Then came the X-Pro1, at a sacrifice.  With a heavy heart I sold the Fuji X100.  I have received my X-Pro1 about a week and a half before my family trip to Spain and Scotland.  I had only 3 lenses, old now, the three musketeers 18mm f2, 35mm f1.4, 60mm f2.4.  Coming from Canon cameras, and wide assortment of lenses, I was a little worried that this new Fuji setup is not going to work, that I will be cursing myself for not dragging the big Canon. I was surprised, I did not miss my Canon at all. Everything clicked into place.  Family, landscapes, street photography, everything.   At that time Adobe Lightroom did not recognize Fuji X raw files, and I knew that it will be a great pain to convert all the raw files from Fuji X-Pro1 to Lightroom, using the provided software.  At the last moment I’ve decided to shoot the entire trip in jpg.  It was crazy, but I was more than happy with the results.  

Weddings 

That year I was able to attend a few weddings as an actual photographer.  I really wanted to try out the Fuji X-Pro1.  Packed my old Canon 5D, and the Fuji and shot the whole wedding.  I was quite impressed that most images I picked after previewing over 2000 shots, were from Fuji.  It was the same situation with a few portrait sessions.  Fuji images were coming up on top every time.  I still didn’t trust myself to shoot the entire wedding with just one camera, so I always dragged my old Canon around, but I found I was using it less and less.  Same with portraits, families, and landscapes. 

Landscape

I usually shot landscapes with a Canon 17-40 f4, so I was missing the ultra-wide view.  At that time Fuji did not have anything wider than 18mm f2 which in full frame terms is just 28mm.  In the olden times it’s considered wide angle, but just wasn’t wide enough for me.  With another big plus to Fujifilm, they have published their lens road map, and I was waiting impatiently for the Fuji 10-24. In the mean time I had to content myself with a 14mm f2.8.  This eventually got me through until the 10-24mm zoom lens was released, but before that happened… but that’s for tomorrow post…

Zion – Landscape Photography

Zion – Landscape Photography

This little day trip, happened over a year ago, and the photos where sitting on my hard drive collecting digital dust.  There are many others, that might see the light of day, or may not.  Procrastination and the fact that I wasn’t overly happy with the images played into the fact why I waited so long.  Personally I do not like changing my landscape photos, apart from small details and colors.  I never been a fan of replacing skies either.  First I find the task daunting, and second I like to leave some semblance of realism in my images.  If there are no clouds, then there are no clouds.  I have nothing against people who do that, nothing at all… I’m just lazy and frankly couldn’t be bothered. 

Being an opportunistic photographer, I don’t have the luxury of time, and spending a few days at a location, waiting for mother nature to smile.  I take what I’m given 🙂  Some say, that I’m wasting my time and pixels, but I disagree.  Sometimes this works, and sometimes this doesn’t.  My trip to Zion national park was an example where it didn’t.  First it was in the wrong time.  Time where there is no snow, yet the spring hasn’t “sprung” yet. Second, the sky was completely empty of clouds…. perfect blue and not really interesting.  Thirdly it was a day trip from Las Vegas, so not a lot of time.  The moral of the story is, what ever the opportunities present themselves make sure you take full advantage of them, and do your best.  I don’t know when I will have a chance to return to this beautiful park, again.  It was a chance and I took it.  Damn the pictures 🙂

Jasper with Fuji – Alberta Landscape Photography

Jasper with Fuji – Alberta Landscape Photography

I have been off this blog for far too long.  I got images that are piling up, and gathering digital dust, waiting for their turn.  I think it’s time to stop hiding behind the camera. 

Fuji has been with me for almost 4 years.  The love affair started with X100.  For some reason I did not mind it’s quirks and quickly adapted.  All through these years, I’ve been shooting with Fuji, and I am still shooting with Fuji.  Countless images of weddings, boudoir, family, and landscapes.  Like fine wine, the cameras got better and better with age.  This is due to Fujifilm actually updating and upgrading their cameras.  There are not a lot of companies, which are so actively in touch with their user base.  Companies that listen and release updates, instead of new camera bodies, seemingly every few months.  I think this policy has won Fuji very loyal customers.  Will it change?  Possibly, but I believe the core will stay.  Just because the camera does not have the latest wifi, gps, video, or some other gadget, to some it means it’s inferior.  Fortunately for those of us, that care about the images, and not the gear that we use, this is a very short sighted complaint.  There will always be something new around the corner.  A camera with that latest gadget, which, many think, will make them a better photographer. 

We know the true secret. 

Here are images from a trip to Jasper National Park in Canada that happened sometime last year.  I told you I got many images 🙂

Aurora, Fuji, Sony and Fish-Eye – Alberta Photography

Aurora, Fuji, Sony and Fish-Eye – Alberta Photography

Aurora, Northern Lights, what ever you like to call it, is quite a beautiful sight, if you manage to catch it.  Not only our Sun should be having an angry fit, spouting radiation into space in a fit of rage, but the sky, here on earth, should be preferably cloudless.  It is also hard to predict.  If you want to photograph this phenomenon it’s best to go out early enough, find a pleasing location before it gets fully dark.  Bring a sandwich, hot tea, and settle down for the wait.  Or you can be like us. See it, grab the cameras, and hope for the best.  Trust me, our way is not a very good way, since you will miss most of the light show.

Photographing the Aurora, is relatively easy.  Tripod, wide angle lens, possibly a remote shutter cord, and patience.  I use a manual fish-eye lens on my Fuji X-T1.  I set it to infinity focus, wide open, and set the camera to bulb mode.  Then press the trigger and time my shots.  Depending on the brightness of the event the exposures are 15-20 sec.  Kasia uses her Sony NEX camera in the same fashion. 

The most important thing you can do to capture compelling images of the Northern Lights is planning.  If you are like us, and run out the door with half the things forgotten, you might be in for a frustrating evening, with the dancing light in the sky mocking you.

A Different Look at Calgary

A Different Look at Calgary

I always liked the look from a fish-eye lens.  The natural look, not corrected.  The best thing about fish-eye lens is that it practically does not need auto focus.  Because it is so wide, all you have to do is put it on aperture f8 set the focus to infinity, and just take pictures.  Practically anything you point the camera at will be in focus.  One thing you have to be careful with is not catching yourself in the frame.  I constantly catch either my feet or my elbows.  Every time I shoot with the fish-eye lens I have remind myself to put my hands behind my back and bend a little forward so I don’t end up in the shot. 

Last year we stopped in Calgary for a few days, to visit family, and since it was beautiful summer weather, we thought it would be a good idea to walk downtown a bit.  Perfect opportunity to for one camera one lens situation, and fish-eye was it. 

You can click on any of the images below for a bigger picture 🙂