When things don’t go as planned and Fuji comes to the rescue.

When things don’t go as planned and Fuji comes to the rescue.

On the onset of this little write up, just want to warn that the images attached to this post are not really safe for work 🙂

Had a great opportunity to shoot with Kate again.  She’s an amazing model to work with.  Her understanding of poses, and light is second to none.  We planned an outside setting for the shoot, but it being autumn in Alberta, the weather did not cooperate.  That’s one thing that went wrong. 

Second I wanted to try flash photography with film, and not having a proper light meter… you know the rest.  It simply didn’t work.  Eyeballing the light and manual camera settings is for pros, not people like me.  So that’s another thing that failed.  Not completely, but it wasn’t as good as I have envisioned. 

Thirdly, my Fuji XT1, which I brought as a backup to the film cameras, decided to be stubborn and refused to work with my lights.  I use radio poppers as a remote transmitter, and because some silly setting inside Fuji menu it just refused to work.  There is certain criteria you have to have for Fuji XT1 to operate strobes.  The camera cannot be on silent mode, it cannot have electronic shutter enabled etc. etc.  WHY?? The flash should work anyway.  You might get terrible results, but it should still work.  Nope, not this time. 

Even though it refused to work with speed lights, it got it’s magic back, being able to work in very low light situation very very well.  The combination of the the excellent Fuji 56mm f1.2 lens and great high ISO performance of Fuji XT1, finished the session successfully. 

There was a lot more things that failed, like putting the film in the camera backwards, not being able to focus properly etc. etc.  Yes lack of experience… it was a great learning session though.  Thankfully Fuji came to the rescue.  Oh and one little tip… when in doubt push the film while developing.  It’s not easy to recover underexposed images.

Life with Fuji – Part 2

Life with Fuji – Part 2

Break up. 

Since Fuji did not have a lot of lens choices, I decided to try some of the old manual Pentax lenses I had.  Did some research, found the adapters, and went to town.  The problem became apparent quite quickly.  There was no visual indication when things were in focus.  Bugger!  More research lead to the discovery of the Sony NEX-7 camera.  Even though it did not have a lens line up, it had focus peaking, plus a whole lot of other features, bigger sensor, 10fps, etc etc.  I got the Sony.  I actually shot one wedding just with Fuji and Sony.  It was a great experience.  I was able to freely move around, with out bumping into people with my big cameras.  The only draw back to this strategy is that people didn’t recognize I was there as a paid photographer, and thought I was just another guy with a point and shoot camera, so they constantly got in the way.  At one point I was setup to photograph the cake cutting moment, and another guest purposefully wiggled her bottom right in front of me so she can take the shot with her iPhone.  I think I was a little rude telling her to move her behind out of my way.  She didn’t budge.  

But, lets get to the break up.  What can I say, Sony impressed me, with it’s flippy screen, higher magepixels and lovely focus peaking.  I started to use it more and more.  Even though the Sony lens line up for the NEX line was, and still is, quite abysmal, I was happy to use old manual lenses.  On the plus side Sony did have their wide angle zoom 10-18 f4, which is, to be honest, really great lens.  Thus Fuji sat on a shelf.  Lonely, and sad.  Upstaged by a shiny, flippy screen, bastard.  

Resurection

It’s stupid, I know, but I felt a little guilty that Fuji X-Pro1 was collecting dust.  I always liked the feel of it.  Loved the images… then came a huge update.  Finally focus peaking!  Fuji to it’s huge credit, has been slowly updating the X-Pro1 with better/faster auto focus, and few other functionality.  They also updated their lenses, making them quieter and faster.  Not a lot of companies do that.  After the big update I’ve decided to give the X-Pro1 another go.  I was happy they added focus peaking, and when I saw it my heart sunk.  It was there… sort of.  I had to look hard to see it. Very hard.  Sony was still at least 10x better.  At this time Fuji started releasing more and more great lenses for the X line, so I could slowly update from old manual lenses to actual Fujinon lenses, and the quite crappy focus peaking on the the X-Pro1 and X-E1 played a much smaller role.  

Flashing weddings and Sony wins even though it looses

This time it was mirrorless all the way.  Sony and Fuji together in perfect harmony.  Why still Sony, you may ask.  It was a simple usability problem.  To trigger an off camera flash, I was using Radio Poppers http://www.radiopopper.com/#!jrx/cgws Because of a silly design of the transmitter, I could not mount the transmitter on the Fuji.  The transmitter has a plastic knob of an antenna facing down where the hotshoe is, and the X-Pro1 flat profile on top prevented me from attaching it to Fuji.  Now because Sony NEX-7 had a stupid design of their proprietary hot shoe, I had to get a converter, which in raised the profile of the hot shoe allowing the transmitter from Radio Poppers to mount properly.   Really silly designs on both parts, even though the RadioPoppers are quite wonderful and inexpensive.  Never had any issues with them not working.  During that wedding, most shots during the day were with Fuji, and the Sony came out when flash was required.  It was a lot easier to spend the 11 hours running around with small cameras.  Did not miss my Canons at all.  

More Travels

Europe again.  As with the previous European vacation, a new camera from Fuji showed up, a few days before the departure, Fujifilm X-T1.  This is where Fuji and any of the small cameras shine.  I managed to pack 3 cameras, and 5 lenses into a Billingham Hadley Pro bag, and a small laptop to boot.  Most days I carried everything (minus the laptop) everywhere I went.  I’m not going to lie, and the bag was getting a bit uncomfortable by the end of the day, but never to a point where I was ready to throw it into the river. 

Now and the Future

I have sold my canon and most of my manual lenses.  I gave my Sony cameras to my wife.  FujiFilm is the only camera’s and lenses I shoot with primarily the X-T1, and X-E2.  The venerable X-Pro1 is used from time to time, same as the X100S, but not often.  I can’t remember of having so much fun, using a camera system.  I really like everything about it, and the short comings are quite easy to get around.  They simply work.  Some would call this fanboism, but in reality it’s not.  In large retrospect of my photography I come to a realization, that I don’t really care which camera I’m shooting with.  As long as it provides me with the results I’m looking for.  Fuji and their X cameras, provide me with those results. The ability of easy updates to the cameras and lenses, with out being forced to buy new cameras and new lenses, create trust as a consumer.  Trust, that is very hard to come by these days.  Also the way the Fujifilm pays attention to detail and workmanship.  It’s been only about 4 years since first Fujifilm X100 came on the market, and the amount of great lenses for the camera system is staggering.  Currently there are 18 lenses in production with 3 more to come, and all of these lenses are stellar.  in comparison Sony has only 8 lenses for their full frame mirrorless cameras, and it seems they abandoned their APS-C lens line all together.   This trust and quality of products is what makes me shoot with Fuji, and I do not see myself changing any time soon.  

Life with Fuji – Part 1

Life with Fuji – Part 1

Beginnings

I started with Fuji at the onset, about 4 years ago.  I got my first Fuji X, the Fuji X100 and I really fell in loved that camera.  The looks, the way it worked, the hybrid view finder. Even the little quirks.  I shot one of my boudoir sessions with it.  I remember the client asking if I was going to take any pictures, the camera was so quiet that she didn’t even notice.  Lots of great memories. 

First Travel

Then came the X-Pro1, at a sacrifice.  With a heavy heart I sold the Fuji X100.  I have received my X-Pro1 about a week and a half before my family trip to Spain and Scotland.  I had only 3 lenses, old now, the three musketeers 18mm f2, 35mm f1.4, 60mm f2.4.  Coming from Canon cameras, and wide assortment of lenses, I was a little worried that this new Fuji setup is not going to work, that I will be cursing myself for not dragging the big Canon. I was surprised, I did not miss my Canon at all. Everything clicked into place.  Family, landscapes, street photography, everything.   At that time Adobe Lightroom did not recognize Fuji X raw files, and I knew that it will be a great pain to convert all the raw files from Fuji X-Pro1 to Lightroom, using the provided software.  At the last moment I’ve decided to shoot the entire trip in jpg.  It was crazy, but I was more than happy with the results.  

Weddings 

That year I was able to attend a few weddings as an actual photographer.  I really wanted to try out the Fuji X-Pro1.  Packed my old Canon 5D, and the Fuji and shot the whole wedding.  I was quite impressed that most images I picked after previewing over 2000 shots, were from Fuji.  It was the same situation with a few portrait sessions.  Fuji images were coming up on top every time.  I still didn’t trust myself to shoot the entire wedding with just one camera, so I always dragged my old Canon around, but I found I was using it less and less.  Same with portraits, families, and landscapes. 

Landscape

I usually shot landscapes with a Canon 17-40 f4, so I was missing the ultra-wide view.  At that time Fuji did not have anything wider than 18mm f2 which in full frame terms is just 28mm.  In the olden times it’s considered wide angle, but just wasn’t wide enough for me.  With another big plus to Fujifilm, they have published their lens road map, and I was waiting impatiently for the Fuji 10-24. In the mean time I had to content myself with a 14mm f2.8.  This eventually got me through until the 10-24mm zoom lens was released, but before that happened… but that’s for tomorrow post…

Fairies – Conceptual photography with Fuji X

Fairies – Conceptual photography with Fuji X

Do fairies exist?  I wanted to find out with my camera. The results are a little different from the norm.  The session proved to be a lot of fun specially when working with a professional model.  Kate was just plain awesome!  She knew exactly what to do, how to pose … it was perfect.  The fuji cameras I was shooting with did not disappoint  in the least.  The two lenses I was using, 56mm f1.2 and the 23mm f1.4 were great for the task and worked really well.  I also had a Canon 580EX flash on hand, but that’s coming up later…. Enjoy!

Alberta Canola Sunset

Alberta Canola Sunset

Alberta canola field sunset

Alberta canola field sunset

This year wasn’t very good for sunsets.  Huge forest fires in the NWT were at fault, bringing smoke and haze.  So far there were only a couple good days, and most of the time the beautiful fluffy clouds would burn away by sunset, leaving empty blue skies.  This is was one of those days.  The canola fields in Alberta, creating wonderful contrasts with the big blue skies, it’s always a great sight.  Unfortunately these types of photos were done a million times and more.  So what to do with a boring sky and a subject that has been photographed to death.  Well one solution is to pack up your gear and go home, or choose a different lens, open the aperture for max depth of field and try something different.   If the conditions are not right, and quite often in landscape photography you are relying on miss weather with her capricious nature, you run with the bulls as the saying goes.  Look for opportunities, and don’t wait for them to present themselves… actively look for them.  It will keep your mind sharp, and your eyes open to the world.  There will always be an interesting subject 🙂

Canada Day Fireworks in Edmonton

Canada Day Fireworks in Edmonton

I was debating with myself, if I should post these, as unfortunately it’s a perfect illustration of a mistake.  One big mistake, of being lazy. Almost every year we venture into the Edmonton downtown to view the spectacular fireworks display on Canada Day.  This year, we figured we are going to try a different venue.  So we got there a few hours before the show, and were greeted with huge masses of people.  Obviously we weren’t there early enough.  After about 30 min of walking and searching for a spot, we settled on a little grassy area that was promising a fairly good view of the fireworks.  The sun was slowly setting, and I took a couple of shots, to see how everything worked.  Then we set up our cameras on tripods, and settled it to way.  As we waited more and more people started to gather, and most were incredibly rude.  No care of others, and if I didn’t tell the kids to stand up, they would have been stepped on.  Some decided to settle right in front of us, blocking the view completely.  Since I didn’t want to get into any trouble, I just moved my tripod. The show was quite spectacular, but here is the big mistake I made… I took the wrong lens.  I thought that from the new location, we will be close enough for me to use the 8mm fisheye lens.  Unfortunately I was wrong, and in hind sight, I should have known.  Well at least we enjoyed the show, and I did manage to rescue a few images.