A year ago…  Photography Reflections.

A year ago… Photography Reflections.

I have been slacking.  Mostly because …. I guess I’m lazy.  I do have a backlog of images that are asking politely to be posted somewhere… maybe someone will like them?  What if no one really cares?  Will that have an impact?  Should it have an impact?  Should our creativity be influenced by someone liking or disliking or simply not caring about the images we create?  There are so many of us “photographers”.  Our images get lost in the deluge of other equally wonderful work from others.  We get discouraged, or yet a simple “LIKE” from a photographer we know and admire can send us on a pixel fueled high.  We want it, we crave it… and then we drop. 

It’s funny how we call ourselves photographers, yet most of us are nothing but glorified point and shooters.  Glorified, because we got expensive gear.  We love our gear, we talk about it, we dismiss it’s faults and problems, and defend it vigorously on the social webs.  In this whole process we often forget, to create, share, and love… our images.

I recently heard a conversation a man had about his Leica Q, which he just bought.  It was an eye opener to listen how he dismissed the glaring faults, as trivial, like he was desperately trying to justify to himself, the very steep price of the camera and the impulse buy.  Hey, it’s Leica, so it must must must be grrrrreat!  It’s sad really. 

I do the same with a lot of my posts.  Currently I use Fuji cameras for most of my work.  It fits me just fine.  Why do I talk about Fuji so much, because I like the camera, I like the company, and to be perfectly honest here, I’m doing it for attention.  Look what I can do with my little Fuji camera!!!   My wife shoots with an older Sony NEX camera.  I’m often in awe at what she creates.  Would she be able to do the same with, I don’t know, a Fuji or Leica, or Canon or some other brand?  I would say, definitely yes.  Then again I’m biased and my opinion doesn’t count 🙂 

The point of this post is really, enjoy the gear you have… what ever it is.  Make it work for you, and create, share and love.

P.S. Fuji is still the best 🙂

P.P.S This post is brought to you by both Sony and Fujifilm.  Which image came from which camera, I’ll let you guess. 

Fuji and Aurora Borealis or Marriage Advice

Fuji and Aurora Borealis or Marriage Advice

It is a dangerous territory I wade in.  As my wonderful wife, Kasia, blogs here, and reads my posts.  She’s also a photographer.  This arrangement has a lot of pluses, like being able to bounce ideas off each other, or being able to just go shoot northern lights, at the spur of the moment at 2 am in the morning.  What are we doing up at 2 am, you may ask, well I’ll just leave that alone…. or I’ll phrase it this way…. we are editing pictures :D.  It helps a lot that our kids are old enough and responsible enough that, that we know we won’t come back to a burned out house.  Another huge plus, is that we learn from each other, be it camera settings for a particular situation, or post processing.  Funny enough we don’t pat each other on the back.  Kasia is my harshest critic.  She can very quickly kill my excitement, by quickly flipping through my latest images, and don’t say a word. 

As for minuses, we like to take pictures of the same things.  So if we go for a little road trip, we usually come back with very similar images, even though she still shoots with Sony NEX cameras. I thought of introducing Kasia, to Fuji, but then I thought about lenses and having to fight over them (I’m bigger, but I would still loose), eventual silent treatments, sleeping on the couch…. nah way to complicated.  So we have a Fuji / Sony photo marriage with a sprinkle of Canon for good measure.  

Our latest Aurora trip is a perfect example. We both took our fish-eye lenses, one for Fuji and one for Sony.  The advantage of those is that they are manual lenses, and it’s easy to set them to infinity focus.  Also the focus by wire lenses common on most mirrorless cameras, do not have focus infinity markings on them.  Fuji to their advantage has few very good lenses that allow for this.  Also another advantage Fuji has over Sony, is the distance scale on the LCD display.  Going by that scale you can approximate the infinity focus of a lens even if there are no markings.  Sony and their NEX lenses do not have this, making them all but useless at night.  Well the results of the trip are pretty obvious. Here are Kasia’s images of Aurora from that night, and mine are below.  Images are almost identical.  Well….. Fuji makes them better, but that’s only because it’s Fuji 🙂

…. and I guess I will be posting next time from the dog house…. barq barq

P.S.  Honey, you know I love you 🙂

Life with Fuji – Part 2

Life with Fuji – Part 2

Break up. 

Since Fuji did not have a lot of lens choices, I decided to try some of the old manual Pentax lenses I had.  Did some research, found the adapters, and went to town.  The problem became apparent quite quickly.  There was no visual indication when things were in focus.  Bugger!  More research lead to the discovery of the Sony NEX-7 camera.  Even though it did not have a lens line up, it had focus peaking, plus a whole lot of other features, bigger sensor, 10fps, etc etc.  I got the Sony.  I actually shot one wedding just with Fuji and Sony.  It was a great experience.  I was able to freely move around, with out bumping into people with my big cameras.  The only draw back to this strategy is that people didn’t recognize I was there as a paid photographer, and thought I was just another guy with a point and shoot camera, so they constantly got in the way.  At one point I was setup to photograph the cake cutting moment, and another guest purposefully wiggled her bottom right in front of me so she can take the shot with her iPhone.  I think I was a little rude telling her to move her behind out of my way.  She didn’t budge.  

But, lets get to the break up.  What can I say, Sony impressed me, with it’s flippy screen, higher magepixels and lovely focus peaking.  I started to use it more and more.  Even though the Sony lens line up for the NEX line was, and still is, quite abysmal, I was happy to use old manual lenses.  On the plus side Sony did have their wide angle zoom 10-18 f4, which is, to be honest, really great lens.  Thus Fuji sat on a shelf.  Lonely, and sad.  Upstaged by a shiny, flippy screen, bastard.  

Resurection

It’s stupid, I know, but I felt a little guilty that Fuji X-Pro1 was collecting dust.  I always liked the feel of it.  Loved the images… then came a huge update.  Finally focus peaking!  Fuji to it’s huge credit, has been slowly updating the X-Pro1 with better/faster auto focus, and few other functionality.  They also updated their lenses, making them quieter and faster.  Not a lot of companies do that.  After the big update I’ve decided to give the X-Pro1 another go.  I was happy they added focus peaking, and when I saw it my heart sunk.  It was there… sort of.  I had to look hard to see it. Very hard.  Sony was still at least 10x better.  At this time Fuji started releasing more and more great lenses for the X line, so I could slowly update from old manual lenses to actual Fujinon lenses, and the quite crappy focus peaking on the the X-Pro1 and X-E1 played a much smaller role.  

Flashing weddings and Sony wins even though it looses

This time it was mirrorless all the way.  Sony and Fuji together in perfect harmony.  Why still Sony, you may ask.  It was a simple usability problem.  To trigger an off camera flash, I was using Radio Poppers http://www.radiopopper.com/#!jrx/cgws Because of a silly design of the transmitter, I could not mount the transmitter on the Fuji.  The transmitter has a plastic knob of an antenna facing down where the hotshoe is, and the X-Pro1 flat profile on top prevented me from attaching it to Fuji.  Now because Sony NEX-7 had a stupid design of their proprietary hot shoe, I had to get a converter, which in raised the profile of the hot shoe allowing the transmitter from Radio Poppers to mount properly.   Really silly designs on both parts, even though the RadioPoppers are quite wonderful and inexpensive.  Never had any issues with them not working.  During that wedding, most shots during the day were with Fuji, and the Sony came out when flash was required.  It was a lot easier to spend the 11 hours running around with small cameras.  Did not miss my Canons at all.  

More Travels

Europe again.  As with the previous European vacation, a new camera from Fuji showed up, a few days before the departure, Fujifilm X-T1.  This is where Fuji and any of the small cameras shine.  I managed to pack 3 cameras, and 5 lenses into a Billingham Hadley Pro bag, and a small laptop to boot.  Most days I carried everything (minus the laptop) everywhere I went.  I’m not going to lie, and the bag was getting a bit uncomfortable by the end of the day, but never to a point where I was ready to throw it into the river. 

Now and the Future

I have sold my canon and most of my manual lenses.  I gave my Sony cameras to my wife.  FujiFilm is the only camera’s and lenses I shoot with primarily the X-T1, and X-E2.  The venerable X-Pro1 is used from time to time, same as the X100S, but not often.  I can’t remember of having so much fun, using a camera system.  I really like everything about it, and the short comings are quite easy to get around.  They simply work.  Some would call this fanboism, but in reality it’s not.  In large retrospect of my photography I come to a realization, that I don’t really care which camera I’m shooting with.  As long as it provides me with the results I’m looking for.  Fuji and their X cameras, provide me with those results. The ability of easy updates to the cameras and lenses, with out being forced to buy new cameras and new lenses, create trust as a consumer.  Trust, that is very hard to come by these days.  Also the way the Fujifilm pays attention to detail and workmanship.  It’s been only about 4 years since first Fujifilm X100 came on the market, and the amount of great lenses for the camera system is staggering.  Currently there are 18 lenses in production with 3 more to come, and all of these lenses are stellar.  in comparison Sony has only 8 lenses for their full frame mirrorless cameras, and it seems they abandoned their APS-C lens line all together.   This trust and quality of products is what makes me shoot with Fuji, and I do not see myself changing any time soon.  

Life with Fuji – Part 1

Life with Fuji – Part 1

Beginnings

I started with Fuji at the onset, about 4 years ago.  I got my first Fuji X, the Fuji X100 and I really fell in loved that camera.  The looks, the way it worked, the hybrid view finder. Even the little quirks.  I shot one of my boudoir sessions with it.  I remember the client asking if I was going to take any pictures, the camera was so quiet that she didn’t even notice.  Lots of great memories. 

First Travel

Then came the X-Pro1, at a sacrifice.  With a heavy heart I sold the Fuji X100.  I have received my X-Pro1 about a week and a half before my family trip to Spain and Scotland.  I had only 3 lenses, old now, the three musketeers 18mm f2, 35mm f1.4, 60mm f2.4.  Coming from Canon cameras, and wide assortment of lenses, I was a little worried that this new Fuji setup is not going to work, that I will be cursing myself for not dragging the big Canon. I was surprised, I did not miss my Canon at all. Everything clicked into place.  Family, landscapes, street photography, everything.   At that time Adobe Lightroom did not recognize Fuji X raw files, and I knew that it will be a great pain to convert all the raw files from Fuji X-Pro1 to Lightroom, using the provided software.  At the last moment I’ve decided to shoot the entire trip in jpg.  It was crazy, but I was more than happy with the results.  

Weddings 

That year I was able to attend a few weddings as an actual photographer.  I really wanted to try out the Fuji X-Pro1.  Packed my old Canon 5D, and the Fuji and shot the whole wedding.  I was quite impressed that most images I picked after previewing over 2000 shots, were from Fuji.  It was the same situation with a few portrait sessions.  Fuji images were coming up on top every time.  I still didn’t trust myself to shoot the entire wedding with just one camera, so I always dragged my old Canon around, but I found I was using it less and less.  Same with portraits, families, and landscapes. 

Landscape

I usually shot landscapes with a Canon 17-40 f4, so I was missing the ultra-wide view.  At that time Fuji did not have anything wider than 18mm f2 which in full frame terms is just 28mm.  In the olden times it’s considered wide angle, but just wasn’t wide enough for me.  With another big plus to Fujifilm, they have published their lens road map, and I was waiting impatiently for the Fuji 10-24. In the mean time I had to content myself with a 14mm f2.8.  This eventually got me through until the 10-24mm zoom lens was released, but before that happened… but that’s for tomorrow post…

Fuji’s Sweet 16

Fuji’s Sweet 16

The sweet 16… brings back memories… This time it makes memories.  I’m talking about the new Fujinon 16mm f1.4 lens of course.  I’ve read reviews of that lens before it was available, from many great photographers like Tomasz Trzebiatowski from Fuji Love, or Matt Brandon and his views of Kenya.  There are plenty of others.  This convinced me.  This lens is absolutely wonderful.  I love shooting wide open, and having an electronic shutter of 1/32000 on the Fuji X-T1 makes it very possible to create images in day time and with the lens wide open at f1.4.

I decided to try it out on my blooming apple tree.  It was in perfect light, and …. completely covered with bees.  I have an aversion to flying, buzzing things, but I wanted to see how the bokeh looked like and how wide and how close I can get.  With skin crawling, and suppressing my want to drop the camera, and bolt while screaming like a girl (sexist comment 🙂 ) I stood my ground.  This Fujinon 16mm f1.4 lens, has a very close minimum focus at 15cm, which for me is murder when trying to photograph flying bees.  The results are quite spectacular though.  Bokeh is soft and creamy, just how I like it.  The subject separation is great, giving me a nice wide environment to place the subject in.

Build quality is solid, with nice clicks of the aperture ring.  Much better than the Fujinon 14mm f2.8, which on my copy are quite loose.  It’s a still quite small and light and with focusing and depth-of-field scales it makes it easy to focus manually.  It definitely found it’s way to my bag….  Oh oh, almost forgot, It’s absolutely perfect for hip street shooting 🙂